- September 2007 (4)
- November 2007 (4)
- December 2007 (2)
- January 2008 (5)
- February 2008 (2)
- March 2008 (12)
- April 2008 (2)
- May 2008 (7)
- July 2008 (4)
- September 2008 (5)
- October 2008 (6)
- November 2008 (3)
- December 2008 (8)
- January 2009 (7)
- February 2009 (1)
- March 2009 (10)
- April 2009 (7)
- May 2009 (5)
- June 2009 (6)
- July 2009 (3)
- August 2009 (6)
- November 2009 (7)
- December 2009 (1)
- April 2010 (1)
- August 2010 (1)
- September 2010 (2)
- March 2011 (1)
- May 2011 (1)
- July 2011 (1)
- March 2012 (1)
There was a beautiful reception before the screening at the Chicano/Latino Resource Center, where we met with students and where the organizers gave us nice presents as thank you gifts... After heading to the screening venue, we were amazed to see groups of students keep arriving and arriving ... By the end, the organizers counted 450 students!!! Imagine that many students laughing at the same time, crying at same time and experiencing the film together. As the credits rolled, Robert and I went on stage with Lupe, and were welcomed with a long, emotional, standing ovation!
Following a bilingual Q & A, a long line of students formed to talk to us and to get their DVDs and postcards autographed. Lupe was regarded a bit like a rock star, with a long line of young Latina students surrounding her for more than 45 minutes. It was all extremely beautiful and inspiring, and the event helped us begin to understand the power of the film to move young Latinas and Latinos, especially whose parents are immigrants, to make them feel proud of who they are, and to inspire them to action.
| Lupe sorrounded by a long line of Latinas waiting to talk to her!|| With some of the organizers of the event: Dana Frank, Robert, Almudena, Lilly Pinedo, Rocio, Lupe, and Rosalee Cabrera.|
As a result of this screening, we received an invitation from the Reel Work Film Festival in Santa Cruz, so we will be back there in town on April 26th!!! (details to come -if you want to stay updated join our list or visit our screenings page periodically).
(This event was sponsored by: The Chicano Latino Resource Center (CLRC), Labor Studies, EL CENTRO: Chicano Latino Resource Center, Women of Color Research Cluster and Stevenson College)
It was fantastic to screen the film within a faith community, and to reach an audience that included many retirees, as so many of our screenings have been for student groups. It was very emotional for a lot of people, who talked about their family experiences and especially how they related to the Tenement Museum scene in Made in L.A., which connects the story of today's immigrants to Jewish immigrants who came to the Lower East Side in the early 1900s. (To read a blog about my visit to the Tenement Museum last December click here). Many women were crying when they approached us afterwards... One of the organizers told us: "This film does half our work for us".
With organizers Sara Bolder and Zachary Lazarus (Michael Kahan had just left!)
The drive to San Francisco was extremely beautiful -I remember the road being dry and boring, but it is now March and the fields were so green that I felt we were traveling through Scotland! :) And, of course, all the fruit trees in the agricultural valleys of central California are in full blossom, which makes for an amazingly beautiful and colorful journey!
We drove straight from L.A. to the Brava Theater in San Francisco, in the heart of the Mission district. Charlotte von Hemert, from the International Latino Film Society, which had organized this screening, let us stop by her apartment where we changed and dashed over to the theater around the corner. The Brava is a gorgeous renovated art deco theater, and even the organizers were surprised at the turn out! More than 150 people were there, and it was one of the screenings where people laughed the most! When you make a film you know that some parts are kind of funny, and that some parts are kind of sad, but until you put it out there you don't know how different audiences will react to it. It's incredibly beautiful to see people so engaged and reacting to the film in such a way. The Q&A was varied, but we had a very nice conversation about ways of organizing and about how the organizing methods shown in Made in L.A. could be applied to day-laborers and to workers in other industries.
Afterwards, about 30 people from the screening went for drinks in the neighborhood filmmakers, organizers, friends, etc and had a great time. We got to the hotel at 2am!
Robert, Almudena and Kristy Guevara-Flanagan, fellow filmmaker from
NALIP's Latino Producers Academy and Director of ITVS-funded "Going on 13"
As many of you know first-hand, ever since Made in L.A. was broadcast in September we have been receiving requests from educators who want to screen the film for their classes and include it in their libraries. From the beginning, we have been dedicated to making Made in L.A. a valuable educational tool, and we're very excited that it can now be shown in schools, libraries, colleges and universities!
Our educational distributor, California Newsreel, distributes cutting edge, social justice films that inspire, educate and engage audiences. For more details and to purchase the educational version of the film, please visit Newsreel's page for Made in L.A.!
(Home video, community groups and organizers can continue to purchase the film at http://www.madeinla.com/buy)
Thanks so much for your patience – the wait is finally over!!! :)
Afterwards we had great Q&A's. Because we had two lecture halls, we created two teams: Robert and I were Team A, and Joann, Maria and Julia (one of the workers' attorneys) were Team B. So we did simultaneous presentations, switching after a while so both rooms could get the best of both teams ?
A HUGE thank you to the UCLA Labor Center, which organized the screening (and to Liz Espinosa, who tirelessly coordinated everything) and to all the departments and student groups co-sponsoring the event: UCLA Institute for Research on Labor & Employment (IRLE), UCLA Law School Critical Race Studies Program, UCLA Law School David J. Epstein Program in Public Interest Law and Policy, Latin American Institute, Chicano Studies Research Center, Asian American Studies Department, MEChA (Movimiento Estudiantil Chicana/o de Aztlan), Conciencia Libre & Student Worker Front, Student Activist Project, and Center for the Study of Urban Poverty.
This was one more beautiful example of true grassroots organizing, where an educational institution partnered with us and helped the film reach out to its constituency: the students! As a result, UCLA is already organizing ANOTHER event for the students at the dorms. Students: stay tuned for more info! Join our list!
The report was released at the beginning of the national conference, "Claiming Our Rights, Envisioning Our Future: Communities Organizing for Justice," that just brought together over 500 participants from across the country, and where Made in L.A. screened.
According to Catherine Tactaquin, NNIRR Executive Director, "Over-Raided, Under Siege" plainly demonstrates that systematic abuses are being perpetrated against immigrant and refugee families and workers by the U.S. government, including the Department of Homeland Security, as well as by the local and state police." "These abuses and anti-immigrant government policies are a form of 'collective punishment' that undermine our rights and make our communities even more vulnerable to abuse by unscrupulous employers, elected officials and anti-immigrant hate groups."
To read or download an executive summary of Over-Raided, Under Siege, go here.
To read the full report, Over-Raided, Under Siege, go here.
To view or download NNIRR's immigration raids chronology, go here.
To close 2007, Maria, Lupe and Maura reunited at Lupe's house to celebrate the 3-year anniversary of their settlement agreement with Forever 21. Organizer Joann Lo, Lupe's sister Esperanza, and attorney Julia Figueira McDonough (one of the attorneys who represented the workers, also featured in the film) were also there, and we all caught up and shared tamales and ice cream.
Afterwards, amidst laughter and cheers, we sat on the floor and signed copies of our new posters. We're sending signed copies of the poster to our outreach partners in recognition of their support (find out how to become an outreach partner!). We're also planning to put some of these posters for sale on-line! Check back soon for more info.
|Joann Lo signs the poster|
It was a beautiful moment to come together and bid farewell to 2007, which saw the long-awaited birth of Made in L.A., and to welcome in 2008, a year where we hope this little film will keep traveling the world. It's also an election year in the United States and we hope that Made in L.A. will help to provide a voice for the thousands of immigrants who toil here everyday. Perhaps we can even get candidates to see it as they develop policies that will shape immigration policy in the years to come...
Yet visiting the museum again I felt that the film shows only the tip of the iceberg of what this extraordinary institution has to offer. Bai Tan, an educator and museum guide, led us through the cramped, poorly ventilated and dimly lit rowhouses which the museum has carefully researched and restored to recreate the lives of the immigrants who lived here from the end of the 19th to the mid 20th century. Personal details of their lives help us understand not just how these immigrants lived and worked, but also who they were and what they felt. (The museum features an amazing virtual tour on their website, and even though you cannot feel the humidity, the dust and the darkness of the rooms, it is an amazing experience --click on the big photos below to see the tour.)
Inside the Gumpertz' home, we see where Natalie worked, sewing and caring for 4 children after her husband tragically disappeared after the economic depression of 1890, which had resulted in bank and business failures and had caused many to lose everything. Our guide described it as a desperate time when there were no social "safety net" programs to keep people from the depths of despair. Even worse, German immigrants like the Gumpertzes faced Germanophobia: a fear that Germans would colonize the US with their language, their songs, their culture. (Check out the wikipedia). Any resemblance with the current backslash on Latino immigration and the fears of Mexican "reconquista"?
Last summer, the New York Times published an interesting op-ed that drew parallels between modern anti-immigrant sentiment and previous backlashes against previous newcomers to this country. It was called "The Founding Immigrants". It began with a quote:
"Few of their children in the country learn English... The signs in our streets have inscriptions in both languages ... Unless the stream of their importation could be turned they will soon so outnumber us that all the advantages we have will not be able to preserve our language, and even our government will become precarious."
A recent proponent of the border fence? No, actually this quote is from Benjamin Franklin, written more than 300 years ago and refers to the Pennsylvania Dutch. The parallels are striking and the Gumpertz' home brought that all home.
As we continued our tour, I was even more deeply moved by the story of the Baldizzi family, who arrived from Italy in the 1920's. Unlike the European immigrants who had arrived just 30 years earlier and lived next door, the Baldizzis' had a harder time coming to the US. Immigration was starting to be "illegal" and quotas had been established. The Museum documents their story: the Baldizzi wife obtained fake papers, traveled to France, boarded a boat to Canada and lived there long enough to get papers and come to the US, where she joined her husband who was living here "undocumented".
In the kitchen the museum plays a recording of the Baldizzi's daughter exploring a litany of memories: the "ice coins" they used to put in the gas to warm the water without paying, the sink/bathtub where they would bathe once a week, the board games they played with their father at night after the world quieted down. And the radio, that old radio that kept her mother company, playing soap operas that made her cry and cry, remembering the family she left behind -mother, father, brothers, friends that she knew she would not see again. And there I was with tears in my eyes, too.
On Tuesday December 4th Made in L.A. screened at Columbia University as the closing film of a series on Latino Migration at Columbia's Center for the Study of Ethnicity and Race. Curated by filmmaker and Columbia professor Frances Negrón-Muntaner, the series included five of the best films documenting the immigration experiences of Mexicans, Cubans, Dominicans, Puerto Ricans, and Central Americans to the U.S. The series' hope was to contribute to the on-going debate on immigration, citizenship, and globalization, and it was indeed an interesting debate on these and other topics.
One student questioned current assumptions about immigrants' upward mobility, and the frequent omission of the root causes that force people to come to the US in discussions about immigration. It was a serious conversation and I have to say that, like that student, I don't believe in the universality of the "American Dream" narrative, i.e. that everyone has an opportunity to "make it" here as long as they work hard and have the necessary determination. I believe it to be a myth -sustained, like other myths, by reinforcement and repetition. Of course there are many cases where that narrative applies. But what I have seen in the five years of making this film is that great sacrifices are made by each new generation of immigrants in the hopes that they can provide a better future for their children, often giving up everything - their happiness, their country, their loved ones - for that promised future. And that even for their children that better future is only sometimes achieved. Many of these children will see themselves absorbed into the same cycle of poverty and low wage work Some will get out, especially if they find ways to access to a good education, fulfilling the dreams that their parents once had for them...
One of the most fascinating parts of the evening came after the class - my long conversation with Frances Negrón-Muntaner, in a Cuban restaurant near the University. Frances is an amazing storyteller (and an extraordinary writer and filmmaker) and I, who love to talk and tell stories, could only listen and listen. We stayed there in front of our Pollo con Arroz, our Camarones al Ajillo and Frances' Negra Modelo until midnight, when the restaurant closed and pushed us outside into the cold.
It is beautiful to see people being moved at each presentation of the film, and equally beautiful to be able to discuss this work and to learn from friends and colleagues who share this path.
Check out the article by Frances Negrón-Muntaner at New York's El Diario La Prensa (In Spanish)
Cuenca , a beautiful town in Spain, just celebrated Mujeres en Dirección's second successful year as one of Spain's most important womens' film festivals. I had just been in Spain for Valladolid and was in between travels, so I wasn't able to attend the festival. But the good news - that Made in L.A. won best documentary - came by e-mail, and my parents, who had arrived that same day from a trip to Argentina, went to Cuenca to receive the award on my behalf.
My mother looks out at the famous "hanging houses"
As it turns out my father kept making jokes throughout the speech (very much in the family style) so afterwards I received e-mails complementing me for having such great parents and wonderful ambassadors...
Here are a few photos:
My parents picking up award
My parents with the award winners
(note that my father is the only man holding an award...)
Left to right: Iciar Bollain (who received a special recognition for her professional career as a director, screenwriter and actress.), my mother, Marta Belaustegui (Actress and Festival Director), festival organizer and my father.
It's great to be screening the film in other parts of the world and to see how deeply it touches people, but it's just awesome to screen the film in the community it represents: they understand every little detail, every wink, every joke! It was a powerful, deep and meaningful event. Lupe and Joann came with me to talk with the community members who were present. The reaction was simply amazing.
One woman rose to speak. She was crying. In Spanish, she explained that for years she has been organizing with a group fighting for better housing, and that they are currently going through a difficult period in their campaign (as the workers experienced in the boycott of Forever 21 that is portrayed in Made in L.A.) Seeing the film gave her the strength to continue, and her words gave all of us another lesson of perseverance. Another woman stood up and, in between tears, she explained that she and her husband were garment workers and were left without jobs during the holiday season (garment work typically decreases in November and picks up again in February -for immigrants working on a temporary basis, this means no work and no salary). As a result, they didn't have enough to pay for X-mas presents for their children. She said she felt different after seeing the film: stronger. We gave her a DVD as a present...
It was one of those days where you really feel proud of the work you did and forget all you've gone through to make it...
Besides the extra kilos we're bringing back (the festival gives you TONS of meal vouchers for the BEST restaurants in town...), we're also bringing back a wonderful award -a rare Special Mention of the Jury, which we were assured, last happened 30 years ago! It was indeed quite a blast: a red carpet for the winners and an awards ceremony broadcast life on national TV, with Sofia Loren, who was sitting just 5 feet from me backstage... The jury recognized Made in L.A. "because through its treatment of a specific story it ultimately deals with a universal conflict -that of immigration and cross-cultural relations- and with an eternal struggle -the exploitation of the weakest by the most powerful- as well as with personal dignity and its power to transform human beings."
It was beautiful to return to Spain with the film and close the circle. Funnily, a few of my family members dispersed throughout Spain got to meet Robert for the first time when they saw us giving our acceptance speech on TV... I also keep thinking that my PhD advisor, with whom I haven't had contact in two years, might have seen me on TV and might have found out why I haven't turned in my dissertation yet... (I came to the US to work on my PhD on border docs, and instead I ended up making... border docs!). Here're some photos of the Awards Gala (many of them courtesy of Cesar Minguela):
Besides the awards gala, the festival itself was beautiful and meaningful ( and delicious, if I may add). As we did at Silverdocs and at the Los Angeles Film Festival, we made a special effort to reach out to the immigrant community and 6 different organizations came to the screenings . This, which may seem easy, proved to be quite a task, since most of them are not regularly on e-mail... so while some filmmakers where taking naps after the long lunches, I spent hours on the phone locating the right people and making a point in having a diverse audience (read the press release, in Spanish). Our screenings were packed, and once again there was a thundering applause and an incredibly emotional response . Some people couldn't contain the emotion and cried during their questions. It was all very moving, and a testament that the film can cross borders and reach out to those of us who believe in the right to fight for human dignity.
For our screening at the Los Angeles Film Festival our motto was “Let’s bring East LA to West LA” (the festival is located in the west side of town), but this time the film screened IN East LA, at the amazing Plaza de la Raza. It was an honor to receive this award from the community the film represents, and a double honor given the name the award carries: Rodolfo “Corky” Gonzales. (To read more about his life click here)
Made in L.A. Nominated for the IDA’s Pare Lorentz Award
The winner in the category is Spike Lee’s "When the Levees Broke: a Requiem if Four Acts." Hey, being nominated next to Spike Lee is already a triumph!
If you want to learn more about who Pare Lorentz was, click here.
Made in L.A. to screen at Seoul International Labor Video & Film Festival!
Made in L.A. premieres in Canada at the Amnesty International Film Festival in Vancouver and Toronto.
Made in L.A. to premiere in Tijuana at a Stellar Presentation at CECUT's IMAX as part of Bordocs!
To check screenings in your area, visit our screenings page, which I update weekly.
To stay tuned, join our list!
(It was great to see Larry Kirkman, Dean of the School of Communication at AU, mixed in with students in the audience! Larry has been a supporter ever since he was a member of the jury that gave my short doc the Sterling Award at Silverdocs in 2003...)
The screening was followed by a panel with Margy Waller, Co-Founder of Inclusion and Director of the Mobility Agenda, Rich Stolz from the Center for Community Change's Immigration Team, and of course Robert and myself. The students were boiling with questions, and it was actually one of the most interesting discussions we've had with the film so far. We were all able to bring to the forefront ALL aspects of the film and use the film to contextualize them and put a human face on issues of poverty, immigration, women's rights, fair labor, and the right to organize. Check out Inclusion's blog for more about the event! (We're working to put up a podcast of the panel -stay tuned or join our list for updates!)